Jakals - Bat Brains

Anxiety appears to be the plague of the youth. It haunts the mind, a volatile little voice that trips us and tricks us into a constant loop of second-guessing every decision we make. There is nothing like feeling uncomfortable in your own existence, unsure that you are even worthy of existing—and yet this feeling is near-universal in today’s youth. It’s an experience that so many musicians are attempting to broach, but with their new EP Bat Brains, Boston rockers Jakals have captured that feeling of lonely terror and are showing us how to overcome it.

From the opening rush of “Porcelain” to the final fading notes of “It’s All the Same,” it’s obvious that Jakals is a band intimately familiar with disconnection. Every song sounds like it was written in a confessional—the lyrics are painfully honest, the baring of a soul that has known the depths of sadness and adversity. Lines like “I don’t belong anywhere / I’m always a stranger” and “When I was young I saw that I wasn’t enough” impart an intimacy that is almost unnerving with how much it reveals.

There is without doubt much pain and introspection woven into Bat Brains, yet the instrumentation on the EP buoys that emotion with intense energy. The vocals are powerful, taking fearless runs and delivering the timid lyrics with vicious sustain and vitality. The guitars brand the chord progressions with searing melodies and bright tones, mixing gritty fuzzes against colorful cleans. The bass thumps in the low end like an angry neighbor hitting their ceiling with a broomstick, while the drums slice out powerful grooves and fast fills.

Jakals really lay into their performances throughout this EP, giving Bat Brains a volatile sound that belies their tightly controlled and intelligent arrangements. The band drives their compositions outside of the typical 4/4 beat; the chorus of “Trauma Hoarding” rocks in 11/8, while the verse riff in “It’s All the Same” saunters in 7/4. Similarly, almost every song uses dynamics to formidable effect, designing slow-building swells of energy and effects into the song structure so that each tune bursts with a body-shaking bang. These off-kilter rhythms and tension-building moments add an intellectual kick to the songs, giving my mind much more to chew on than just a good beat and fun melody.

Jakals have captured in their EP an experience that is all-too-common to today’s youth, then stamped it with their own hard-rocking signature sound. This record simultaneously sucks me in and pushes me away, giving rise to a strange medley of emotions that I don’t quite yet have the words to describe. Bat Brains is a collection of kickass tunes that tap into the visceral essence of anxiety and loneliness—six anthems for the anxious to remind us we aren’t alone, nor are we helpless. And if ever you’ve been unsure of your worth in this world, then this record is just what you need to hear right now.

My Top Track: “The Sound of Something Else”

Jakals is currently on tour in support of Bat Brains; you can find upcoming dates and other news via their Facebook page. Then head to Spotify or Bandcamp to stream or purchase your own copy of Bat Brains.

Song Spotlight: Will Grayson's "I was Born with a Caulfield"

Artwork by Andrea Hellwig

“Be bold.”

Perhaps the most important advice ever given to me concerning art. It takes more than a little nerve to create something, even more to make something honest and true. Hard advice, but invaluable.

So much music today is born from swamps of compromise, but CT’s singer-songwriter Will Grayson has never shied away from bold decisions; rather, sprawling compositions, multifaceted arrangements, and sonic exploration are well-honed weapons in his arsenal. And lucky for us, he’s just returned with a new single, “I Was Born with a Caulfield,” one of his most ambitious and powerful takes yet.

Opening with plucky guitar chords, Will Grayson spits some quickfire spoken-word before bursting into lilting vocals as the instrumentation takes off beneath. Multiple guitars converge beneath his singing, mixing twangy clean tones with a vibrant acoustic and a wild fuzz. “I Was Born with a Caulfield” takes sharp turns between elements, the rhythm section slipping in and out to let the vocal shine and the guitars drive. A swell of reverb begins to overtake the tune as it dives into a coda bursting with handclaps, driving bass, and dolorous melodics.

“I Was Born with a Caulfield” is rich with texture and color, and beneath this vibrant landscape of fuzzy guitars and energetic grooves lies a dynamic and lively composition. The vocals lead the tune along a winding path that never circles back; rather, the song continually evolves as it goes, beginning with a soft, jubilant progression and culminating in a full-band explosion. Yet despite the lack of a chorus or verse structure, Will Grayson’s melodies and harmonic chord progressions keep me locked in as I journey with him to the final fading piano notes.

The gentle yet undeniable surge of energy that grows across the length of “I Was Born with a Caulfield” is reflected in the song’s lyrics. The opening poetics are calm, delivered in an almost sarcastic voice, until Will Grayson slips into singing with the line “A silence rallies around the room.” Yet that silence splits immediately, blooming into splashes of guitar work led by the statement “You already know what comes next.” The final suite of the single launches like a bullet with the line “The first to the door is the first to get shot,” pushing the tune’s headbanging groove to completion in a gentle collapse. Grayson’s lyrics lead this odyssey along, his writing as fearless as the composition evolving beneath his words.

“I Was Born with a Caulfield” is a beautiful balance of intelligent writing and unabashedly fun instrumentation. As a precursor to Will Grayson’s upcoming album Yet What Else After All, its fun melodies and expansive arrangements stand as good omens for this new release. Will Grayson is an artist who understands the importance of being bold in his music, a fact that sets him apart from other singer/songwriters. If “I Was Born with a Caulfield” is any indication, Yet What Else After All may be his boldest release yet, and I for one cannot wait for it.

You can find more from Will Grayson, including live shows and updates, by following him on Instagram: @willgraysonmusician. Then head over to his Bandcamp and/or Spotify and stream the new single "I was Born with a Caulfield" off his upcoming full-length, Yet What Else After All, releasing September 21st.

Glenn VeryClose - Episode 0

If you’ve had even half a conversation with me about Connecticut’s music scene, then undoubtedly you’ve heard me mention indie-rock power trio The 30th of February. They’re prolific songwriters and incredible performers, and I reviewed their latest EP Silence a few months ago, which recently saw a CD release featuring an exclusive bonus track. And as if that wasn’t enough to get me salivating, their frontman Ant just released an EP entitled Episode 0, a collection of stripped-down, dolorous tunes published under the moniker Glenn VeryClose, and I find myself completely lost in this record’s winding chords and lilting melodies.

Sonically, Episode 0 is relatively sparse, with each song stripped almost to the bones. Acoustic guitar and a plucky ukulele provide the foundation over which Ant’s haunting vocals float like fog on early morning streets. Yet he accomplishes so much with this little arsenal: “Walking Past a Burning Building” alternates between gentle melody and roaring, chorus-drenched chords, while “PDF” layers both string instruments to create cascading waves of sound. Glenn VeryClose uses simplicity to maximum effect on this EP, letting the energy and emotion of his chord progressions steep into strong elixirs of song.

The melancholy strings set the tonal foundation of Episode 0, and it’s upon this that Glenn VeryClose builds the tales and trials of each tune. The vocals on this EP are insanely mournful, each word carrying the weight of a thousand disappointments. Lines like “Hate yourself for me” from “Hate” or “Lost / in a space I created all myself” in “Vulnerable” shape atmospheres of intense emotion that are blatant, unencumbered by veil or metaphor. Each line is terribly powerful, and yet in these same songs, the speaker lacks agency to act upon that power, instead asking for permission with the questions “Can I hate you?” and “Am I allowed to stay?”

It is this lyrical approach, one of complete abandon, that makes this EP resonate so strongly with me. Glenn VeryClose embeds the very essence of depression, a simultaneous hopelessness against change and stasis, in every single line. It’s a viciously honest portrayal of how it feels to be alone, even if it’s just in your head. And yet Glenn VeryClose does not simply wallow in this darkness—by writing these songs, committing them to hand and heart and record, he thus begins a journey towards acceptance, and hopefully, healing.

No matter how many times I spin this EP, Episode 0 still hits me in the heart like the loss of a loved one. This record offers an intimate, stripped-down look into the world of an insanely prolific songwriter, and each of the four tracks spells out in heartbreaking detail how tough that world can be. With Episode 0, Glenn VeryClose bares all that there is to bare, trusting us as the listener to understand, to believe, to accept. It’s a vivid listening experience, and as you choose to venture into this odyssey, know you will not return the same as you arrived.

My Top Track(s): “Vulnerable” and “PDF” (I can’t choose!)

You can find more from Glenn VeryClose, including upcoming shows and news, on Facebook. Then head over to his Bandcamp page and grab your own copy of Episode 0.